Wednesday, June 27, 2007 at 7:33 PM | 1 comments  
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Spine-chilling tale about a woman who is raped and attacked by an unknown spirit...

Dazzling special effects, powerful acting, a taut, tightly written script and imaginative direction all combine to make 'The Entity' a powerhouse supernatural film that will rivet you to your seat. Based on a true event which took place in California, October 1976.

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Title.........[ Pan's Labyrinth
Year..........[ 2006
Genre.........[ Drama / Fantasy / Thriller
IMDB url......[ http://www.imdb.com/title/tt0457430/
Runtime.......[ 01:58:52
Resolution....[ 528 x 288
Subtitle......[ Yes
Files.........[ 1
Size..........[ 701 MB
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Ben Affleck stars as Michael Jennings, a brilliant computer engineer hired by high-tech corporations for specialized top-secret projects. Once a job is complete, Jennings routinely has his short-term memory erased so as not to divulge any sensitive company information to future clients. Highly paid for his work, he expects to earn $4.4 billion at the end of his latest 3-year project. But upon completion of the job, instead of a big paycheck, Jennings is handed an envelope filled with random objects and told that he has agreed to forfeit all payment. With his memory erased as usual, Jennings has no way to prove them wrong until he discovers the objects are clues to the puzzle that once was his past. But with Federal agents hot on his heels, Jennings quickly learns that more than just his paycheck is at stake. In a race against time, Jennings must put the pieces together with the help of Rachel (Uma Thurman), the woman he has worked with and loved for the past three years who rekindles his memory of their life together, before the people he once worked for have him killed.

Code:
http://www.imdb.com/title/tt0107004/


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An all-star cast energizes Robert Aldrich's classic World War II action drama about a group of 12 American military prisoners assembled by tacticians and ordered to perform a suicide mission: infiltrate a well-guarded chateau and kill the Nazi officials staying there. The incarcerated soldiers, most of whom are facing death sentences for a variety of violent crimes, jump at the chance to redeem themselves. Major Reisman (Lee Marvin), the noncriminal in charge of the group, whips the men into a crack unit, uses them to best the troops of his by-the-book superior officer, Colonel Breed (Robert Ryan), in war games, then leads the steely antiheroes on their perilous assault.

The film is studded with standout performances, including Telly Savalas as a religious psychopath with a febrile animosity toward Germans and John Cassavetes in an Oscar-nominated portrayal as an insubordinate, poison-tongued hothead. Ernest Borgnine, Donald Sutherland, Charles Bronson, and football legend Jim Brown further round out the impressive collection of talent.

Code:
http://www.imdb.com/title/tt0061578/


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Sunday, June 24, 2007 at 7:29 PM | 0 comments  
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For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization.
Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Code:
http://www.imdb.com/title/tt0119174/
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Saturday, June 23, 2007 at 7:24 AM | 2 comments  



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SPIDERMAN 3 ENTERS TOP 10 WORLD WIDE BOX OFFICE HITS

SPIDERMAN 3 released on may 4th world wide enters the top 10 worldwide box office hits on Saturday(16/06/07).the movie was released on 1400 screens all over the world having a record breaking collection of $873 million within 40days of it’s release….

The earlier movies of spiderman series deeply concentrate on the stunts of spiderman while spidey 3 gives importance to both love and action…this is the reason which makes the movie a blockbuster…..

THE TOP 10 WORLDWIDE BOX OFFICE HITS :

1. Titanic (1997) $1,835,300,000
2. The Lord of the Rings: The Return of the King (2003) $1,129,219,252
3. Pirates of the Caribbean: Dead Man's Chest (2006) $1,060,332,628
4. Harry Potter and the Sorcerer's Stone (2001) $968,657,891
5. Star Wars: Episode I - The Phantom Menace (1999) $922,379,000
6. The Lord of the Rings: The Two Towers (2002) $921,600,000
7. Jurassic Park (1993) $919,700,000
8. Harry Potter and the Goblet of Fire (2005) $892,194,397
9. Shrek 2 (2004) $880,871,036
10. Spider-Man 3 (2007) $873,916,000
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Sunday, June 17, 2007 at 3:52 AM | 8 comments  
Even before the release of the movie, its subject is known to all. True to the pre-release leak, Software engineer and NRI Sivaji (Rajnikanth) comes from the US with about Rs. 200 crores – for setting up a No-donation university and a free hospital for the poor. Sanction of government permits to Sivaji's target is made difficult by his opponents. Soon, Sivaji finds that bribe is the most common malady in government offices. Later, he comes out with a personal detection. India with its Rs 20,00,000 crores of black money is not a poor country. His action plan is clear: To get the details of hoarding black money by the government officials and Ministers and then blackmailing them to have his share, which he would utilize only for the good. Adiseshu (Suman), an influential but commercialized educationist always tries his level best to kill Sivaji. The war between the two heats up and the result is the murder of Sivaji. But a friend of Sivaji (Rajnikanth) comes from the US and takes over Sivaji's charity foundation, besides forcing fatal vengeance on Adiseshu. He also continues his battle against black money. Is he the Sivaji himself in disguise? Naturally, yes.

Artistes Performance

Rajnikanth has given wonderful performance with different getups. Maximum is extracted from the superstar in the dance division. His mannerisms – taking chewing gum into his mouth (the piece so thrown would hit his palm and jumps into his mouth) – is a good watch. The same mannerism is repeated in different types. His getups, particularly as a white and NTR, are done carefully. The climax getup with tonsured head and stylish beard comes as a surprise. His dialogues and contribution of comedy are a major plus point. In short, Rajnikanth shoulders the entire weight of the film.

Shriya looks charming as usual. However, she didn't get any special chance to perform, except for song and dance. The long absence of Shriya from Tollywood due to providing of bulk dates to director Shankar has led to a surmise that she would have been given an important role, which is not here.

Suman played the main villain. Sporting white dhoti and khaddar shirt, he is shown as the representative of those who find education a lucrative business.

Vivek played the friend of Rajni. His comical performance is routine. There is not much scope for Vivek to do the comedy, as Rajni himself handled it.

Manivannan and Vadivukkarasi played the parents to Rajni. The episodes in which they seek alliance for their son are interesting.

Raghuvaran did the role of a heart specialist, who has no direct link with the main story.

Nayantara appears in an item song (first song). Her dance is a good watch with lot of hip shakes.

Technical Values

Story of the film is not only an NRI tryst with education sharks, but also an attack against the black money in India. The story seems to treading the path of a Tagore, when the hero gets to investigation on the bank account and audit details. The subject (or say the message) is not dealt completely, but in bits and pieces. The movie has not reached the expectations of the audience when they look at the overall output of Rajni-Shankar combination. That too for the first time!

Screenplay is good. Comedy scene followed by a serious scene seemed the set formulae. The first half runs smoothly and the second half runs on a slow note, but for Rajni's part.

There is mixed response to the songs and music by AR Rehman. All the songs are dream songs, each showing Rajni in a new getup. The first song with more than 2000 junior artistes in the backdrop is shot richly. Rajni's steps as NTR, Chiranjeevi and ANR are a good watch.

Comedy is all right. Except for Rajni and Vivek combine comedy, there is very little or nothing special in this department.

Dialogues are a highlight in the film. Rajni's mannerism – Cool – said repeatedly is trendy. A couple of one-liners – "Pandulu gumpugaa vasthayi, kaani Simham okkate vasthundi." (Pigs come in groups, but Lion strikes singly) and "Manam eppudu chasthamo theliste ika jeevitham narakam" (When we come to know when we will die, life becomes a hell) – are good.

Shankar's direction is known for grandeur in all segments. Picturisation of songs, costumes and locations are rich.

Stunts are done with overdose of graphics. The chase and dash sequence with cars is good, but turns monotonous and unconvincing. Similarly, the climax fight is visualized in a good manner. As the hero and villain fight, the currency notes are spilled all over (signifying the hero's victory over black money). This sequence too is shot at length, which has lost the punch.

Graphic work deserves a mention. Much of this element is limited to aerobics of Rajnikanth in the air when he fights out the baddies. There are two interesting visuals: Blacktopping of roads before Rajni as he walks; and the setting of educational institution as the students walk on the campus.

Generally, there will be lot of importance to sentiment in almost all Rajnikanth's movies. Here, Shankar seems to have completely ignored this commercial element. The horoscope sentiment and its curious turn are conceived in poor taste.

Cinematography is excellent. Production values of AVM are tremendous.

Final Verdict :

The movie is opened to terrific collections. The lone strength of the movie is superstar Rajnikanth. Hence, its success rate is open for a debate.

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